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Publications

  • Systematic Mechanical Assessment of Consolidants for Canvas Reinforcement under Controlled Environment . Heritage Science 8 (1): 1–12, Bridarolli, Alexandra, Anna Nualart-Torroja, Aurélia Chevalier, Marianne Odlyha, and Laurent Bozec. 2020.

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  • New treatments for canvas consolidation and conservation,  Nadine Böhme, Manfred Anders, Tobias Reichelt, Katharina Schuhmann, Alexandra Bridarolli and Aurelia Chevalier, Heritage Science,  2020.

 

  • ACTS OF THE CONFERENCE " THE RESTORATION OF WORKS OF ART AND THE LAW , organized on April 9, 2018 at the Auditorium of the National Institute of Art History - INHA - Paris: La mention en restauration, Aurélia Chevalier, p .23.

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  • Organogel formulations for the cleaning of easel paintings , Piero Baglioni,  Nicole Bonelli,  David Chelazzi,  Aurelia Chevalier, Luigi Dei, Joana Domingues, Emiliano Fratini, Rodorico Giorgi & Morgane Martin; Applied Physics A volume 121, pages857–868 (2015), Springer, 2015

 

  • Conservation of Simon Hantaï's paintings: Development of a new process for their presentation , in  Catalog of the exhibition at Ludwig Muzeum,  Hantai , Budapest, Ludwig Muzeum, 2014, 211 p

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  • Physicochemical characterization of acrylamide / bisacrylamide hydrogels and their application for the conservation of easel paintings , Giacomo Pizzorusso, Emiliano Fratini, Josef Eiblmeier, Rodorico Giorgi, David Chelazzi, Aurelia Chevalier, Piero Baglioni; Langmuir 02/2012; 28 (8): 3952-61.

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  • Characterization and degradation of poly (vinyl acetate) -based adhesives for canvas paintings, Polymer Degradation and Stability;  Chelazzi, David / Chevalier, Aurelia / Pizzorusso, Giacomo / Giorgi, Rodorico / Menu, Michel / Baglioni, Piero In:  Polymer Degradation and Stability   ;  107;  314-320  ;  2014 ​

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  • 2A - Removal of glues used in lining procedure with detergent chemical system;  Emiliano Carretti, David Chelazzi, Aurelia Chevalier, 2013.

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  •   Characterization and aging of canvas lining synthetic adhesives , Authors: Piero Baglioni, David Chelazzi, Aurelia Chevalier, Giacomo Pizzorusso, Rodorico Giorgi, Polymer Degradation and Stability, 2013

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  •   Conservation and restoration of the frescoes' material entity conserved in Saint Savior's Church in Prizren-Kossovo by nano-consolidation . A project under the aegis of Patrimoine Sans Frontières, Proceedings of ICOM-CC 16th International Conference, Aurélia Chevalier, Lisbon, September 2011.

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  •   Innovative physical and chemical methods for the extraction of degraded polymers in easel paintings, Aurélia Chevalier, Patrimoines - review of the National Institute of Heritage, n ° 5, p. 156-161.

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  •   Dialogue with Simon Hantaï around the issue of hanging , Art of today, Heritage of tomorrow, Conservation and Restoration of Contemporary Works, 13th SFIIC study days, Paris, INP, June 24-26, 2009, p. 159-164.

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  •   Extraction of relining adhesives in easel painting: new approach , Aurélia Chevalier, ICOM-CC 2008, p. 758-766.

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  •   Lights on a masterpiece - Kees Van Dongen, 'En la plaza, women at the  balustrade ' - Exhibition file of a restoration, Musée de l'Annonciade, Saint-Tropez. Co-authors: JP. Monery, CICRP members: R. May, Claude Badet, O. Guillon, A. Colombini, E. Mognetti and Carole Husson, 2009, 52p. File downloadable from the CICRP website

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  •   Optical methods for the characterization of the artificial aging of lined paintings , CMOI, David Chelazzi, Aurélia Chevalier, 2008.

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  • Shirley Jaffe's reworked paintings , Aurélia Chevalier, in Technè, n ° 26, 2007, p. 28-32

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  •   The use of synthetic adhesives in the restoration of the canvas support , Aurélia Chevalier, in Coré,  n ° 19, 2007, p. 53-58

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  •   ”Theory and Practices in Conservation: A Tribute to Cesare Brandi” From the 20th to the 21st century : Fundamental Evolutions in Canvases Treatment, Aurélia Chevalier, Nathalie Volle; 2006, p. 41-53.   

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  •   Restoration, derestoration of a work by Simon Hantaï: Etude I, suite for Pierre Reverdy (1969), Aurélia Chevalier, Technè, n ° 23, 2006, p. 28-32

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  •    Jean Fautrier, an informal painter , Coré, n ° 16, 2006, p. 15-21  

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  •   Report on Modern Paints Uncovered , International conference which took place in London, Tate Modern 16-18 May 2006, Aurélia Chevalier, Géraldine Guillaume-Chavannes CRBC,  

       n ° 25, 2006, p. 63-65

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